Writing Inspiration

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Therapeutic Value Of Poetry

Therapeutic Value Of Poetry  

It isn’t a coincidence that I feel enriched and moved—often to the point of exhilaration—by poetry and my overall ‘feel good’ level is heightened. This is true whether I am writing or reading.

This is because poetry, with its unique ability to distill complex emotions, ideas, and experiences into concise yet impactful language, holds immense value in human life. It certainly does in my experience. Reading and writing poetry not only deepens our language skills but also expands our understanding of the human condition, fostering empathy, creativity, and introspection.

 

Classic Examples: Wordsworth And Dickinson

Early in my life, I believe it was when I entered the 5th Grade English class, I was introduced to the poet William Wordsworth. For me, he is a classic example of the power of poetry and his “I Wandered Lonely as a Cloud,” is often referred to as “Daffodils”. It was written in 1804. In it, Wordsworth captures a moment of transcendental beauty as he recounts encountering a field of daffodils. Through vivid imagery and rhythmic language, Wordsworth conveys the joy and inspiration nature can bring to the human soul. I believe by reading and studying this poem, readers can learn to appreciate the beauty in everyday moments and find solace in nature’s embrace.

“I Wandered Lonely as a Cloud”

I wandered lonely as a cloud

That floats on high o’er vales and hills,

When all at once I saw a crowd,

A host, of golden daffodils;

Beside the lake, beneath the trees,

Fluttering and dancing in the breeze.

Continuous as the stars that shine

And twinkle on the milky way,

They stretched in never-ending line

Along the margin of a bay:

Ten thousand saw I at a glance,

Tossing their heads in sprightly dance.

The waves beside them danced; but they

Out-did the sparkling waves in glee:

A poet could not but be gay,

In such a jocund company:

I gazed—and gazed—but little thought

What wealth the show to me had brought:

For oft, when on my couch I lie

In vacant or in pensive mood,

They flash upon that inward eye

Which is the bliss of solitude;

And then my heart with pleasure fills,

And dances with the daffodils.

 

If you’re not into flowers and nature’s embrace, how about the poetry of death? Yes, I know, the subject seems too morbid for some but face it, death pays us all a visit eventually. In “Because I could not stop for death” by Emily Dickinson, written around 1863, we find a timeless example of poetry concerning death. Here she personifies death as a courteous gentleman who kindly escorts the speaker on a carriage ride through the stages of life toward eternity. Through her masterful use of metaphor and symbolism, Dickinson explores the complex themes of mortality, time, and the afterlife. By engaging with Dickinson’s poetry, readers are encouraged to contemplate their own mortality and find meaning in the cycle of life and death.

“Because I could not stop for Death”

Because I could not stop for Death –

He kindly stopped for me –

The Carriage held but just Ourselves –

And Immortality.

We slowly drove – He knew no haste

And I had put away

My labor and my leisure too,

For His Civility –

We passed the School, where Children strove

At Recess – in the Ring –

We passed the Fields of Gazing Grain –

We passed the Setting Sun –

Or rather – He passed Us –

The Dews drew quivering and Chill –

For only Gossamer, my Gown –

My Tippet – only Tulle –

We paused before a House that seemed

A Swelling of the Ground –

The Roof was scarcely visible –

The Cornice – in the Ground –

Since then – ’tis Centuries – and yet

Feels shorter than the Day

I first surmised the Horses’ Heads

Were toward Eternity –

 

Poetry’s Enduring Power

These are but two classic examples that demonstrate the enduring power of poetry to capture the beauty, complexity, and depth of human experience. By reading and writing poetry, we engage with language in a way that transcends ordinary communication, allowing us to connect with others on a profound emotional and intellectual level. Whether it’s through the sublime beauty of Wordsworth’s nature poetry or the existential exploration of Dickinson’s introspective verse, the value of poetry lies in its ability to inspire, provoke, and enrich our lives in countless ways.

 

 

 

 

 

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“Something Wicked This Way Comes”

October and Autumn in general mark my favorite time of year and always make me think of one of my very first favorite authors, Ray Bradbury. I first discovered his writings in Junior High School in the 1960’s and have been a fan ever since.

Ray Douglas Bradbury was born on August 22nd, 1920, and died June 5th, 2012, at the age of 91. In between those dates he did, in my opinion, pen some wonderful writing including such memorable works as “Fahrenheit 451,” “The Martian Chronicles,” “Dandelion Wine,” and the “Illustrated Man.” The one I most remember this time of year is “Something Wicked This Way Comes,” a title inspired by Shakespeare’s Macbeth and the witches with their utterance “By the pricking of my thumbs, something wicked this way comes.”

In this haunting tale, two 13-year-old friends, Jim Nightshade and William Halloway, are drawn into a chilling adventure when a sinister carnival rolls into their hometown of Green Town, Illinois, on October 24th. Encountering the eerie characters of the carnival, the boys grapple with their fears. The carnival is led by the enigmatic Mr. Dark, who appears to have the ability to fulfill the hidden wishes of the townspeople. However, in truth, he and the carnival thrive on absorbing the vitality of their captives. As darkness looms, Charles Halloway–the local library’s janitor and Will’s father–emerges as a beacon of hope. Charles confronts his own deep-rooted fears of aging, feeling out of step as an older father to young Will. The novel combines elements of fantasy and horror, examining the conflicting natures of good and evil that exist within all individuals.

 

 

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Try, Try Again

Good advice for children and adults from T. H. Palmer.

From his “Teacher’s Manual” (1840), page 223. Thomas Haig Palmer was born on 27 December 1782 in Kelso, Scottish Borders, Scotland. In 1804, he immigrated to Philadelphia, Pennsylvania, United States of America, where he became a printer, a publisher, and an author of school textbooks and historical records. Thomas Haig Palmer passed on at 78 years of age on 20 July 1861 in Pittsford, Rutland County, Vermont, United States of America. Quick Biography of H. H. Palmer. 

 

A bit dated but, none-the-less, Here it is, verbatim:

Try, Try Again by T. H. Palmer

‘Tis a lesson you should head,

If at first you don’t succeed,

Try, try again;

Then your courage should appear,

For if you will persevere,

You will conquer, never fear

Try, try again;

Once or twice, though you should fail,

If you would at last prevail,

Try, try again;

If we strive ‘tis no disgrace

Though we do not win the race

What should you do in the case?

Try, try again

If you find your task is hard,

Time will bring you your reward,

Try, try again

All that other folks can do

Why, with patience, you not do?

Only keep this rule in view:

Try, try again.

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Writing A Successful Classic Mystery

Attribution: J. R. Cotner

I recently spent time browsing through my rather dusty bookshelves, taking stock of the great reads I’ve collected over the years. Many are intricate, classic mysteries written by some of the most successful and admired authors of that genre and era. Why were they so popular? What made them such a success?

Writing a classic mystery novel is a complex process that requires careful thought and planning. Here are three of the most important considerations for authors in this genre:

Plot Structure and Clue Placement:

The classic mystery is intricately designed with a sequence of events occurring within a believable timeline. Clues—neither too obvious nor too obscure—and red herrings are essential plot elements planted at key points of the story to build tension and suspense. That structure allows a gradual revelation of details to guide the discerning reader through the story toward an eventual resolution that ties up all loose ends and leads to a logical and satisfying conclusion.

Character Development and Motivation:

Characters, especially the detective and the perpetrator, must be well-rounded and have clear motivations that drive their actions. This can add depth and make the story more engaging. Secondary characters also play a critical role, as they often contribute to the plot through their relationships with the main characters, their secrets, and their alibis.

Setting and Atmosphere:

The setting of a classic mystery often plays a critical role in the mood and the unfolding of the plot. It must be described in a way that adds to the tension and supports the story. Whether it’s a gloomy mansion, a small village, or a bustling city, the setting must be depicted in a way that complements the tone of the mystery and aids in the unfolding of clues.

Writing a mystery requires a delicate balance between these elements, and a failure in any of these areas can lead to a less-than-satisfying reading experience. Many successful mystery writers spend significant time planning and outlining their novels to ensure that these aspects are all carefully considered and integrated into the story.

Here are examples of classic mystery novels that particularly exemplify each of the three considerations I’ve listed. First up is Plot Structure and Clue Placement and I’ve listed a work by Agatha Christie.

“The Murder of Roger Ackroyd” by Christie (published in 1926) is, I believe, an excellent example of a meticulously crafted plot structure and clue placement in a classic work. Christie employs a series of twists and turns, carefully planting clues that lead to a shocking and unexpected conclusion. The use of an unreliable narrator and the placement of red herrings are particularly masterful.

As an excellent example of Character Development and Motivation in a classic mystery, I think “The Maltese Falcon” by Dashiell Hammett (published in 1930) fits the bill as it showcases character development and motivation as key elements. Sam Spade, the protagonist, is a fully realized character with complex motives, and the villains have clear motivations that drive the plot forward. Relationships between characters are intricate, and the interactions are essential in unraveling the mystery.

As for Setting and Atmosphere, I will recommend “Rebecca” by Daphne du Maurier (published in 1938). The classic setting of the Manderley estate as a critical component of the story is very effective. The eerie and atmospheric mansion almost becomes its own character, and the descriptive language paints a vivid picture that adds to the mystery and suspense. The setting creates a gothic tone that deeply impacts the unfolding of the plot. The opening line of the story is unforgettable: “Last night I dreamed I went to Manderley again.” Classic.

I held these three rules close and emulated them when writing my own work, “Mystery Of The Death Hearth”. For anyone wishing to write an effective, compelling, and engaging mystery in the classic style, I suggest dusting off a copy of each of those works to read again. Their influence can still be seen in contemporary mystery writing.

 

 

 

 

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Bradbury’s Writing Inspiration

No doubt we are living through despairing times. Many writers, myself included, find it difficult to concentrate on writing with our minds focused sharply on current events.

One of my favorite authors, Ray Bradbury, used writing as an escape. This quote by him is inspirational, even motivational.

Bradbury quote

 

 

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Elmore Had It Right.

Slogging along on a manuscript or other piece of writing? Taking longer to finish than you expected? Exhausted trying to complete that description, paragraph, sentence, scene, dialogue, or other story element? Mr. Leonard just might have been on to something when it comes to writing.

Elmore And Writing

Elmore Leonard (October 11th, 1925 – August 20th, 2013)  was a novelist, short-story writer, and screenwriter. His earliest novels were westerns but he didn’t limit his work to that genre. Among his best-known works are “Get Shorty,” “Out of Sight,” “Hombre,” “Mr. Majestyk,” “Rum Punch” (adapted as the film “Jackie Brown”), and short stories that became the films “3:10 to Yuma” and “The Tall T,” as well as the FX television series, “Justified.” 

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Inspiration From The Past

In “Storytellin’: True And Fictional Short Stories Of Arkansas” I write about a young boy, a midnight train, and the value of friendship in the tale “He A Friend Of Yours?” The title of the story is actually a question posed to the young boy by a train station employee.

Several of my family provided inspiration for the story not the least of which were my grandfather, father, and an uncle who all worked for the Rock Island Railroad in various capacities including railroad bull, brakeman, and conductor. All of their work began and ended with the Rock Island Rail Road train depot in the small town of Booneville, Arkansas. Not coincidentally, the fictional story’s beginning is set in and around a train depot.

In its heyday, the Booneville depot was a busy, thriving place, bustling with activity. I remember trips to the depot to either welcome or say goodbye to family members as they left for work or arrived after a working absence. More than once, I too, rode the railroad to and from Little Rock to visit uncles and aunts.

RI-BoonevilleTrainDepot

This picture of the Booneville train depot was taken in the early 1980s and reflects a mere ghost of itself in comparison to the days when it thrived. Built in 1910 originally as a railroad eating house, the building style is unique compared to the average Rock Island train depot in Arkansas.

The days of riding the rails from Booneville to Little Rock are gone forever now, as are my family members who worked on the line. Sadly, just a few years after this picture was taken the Booneville depot burned down and its stories mostly lost to history.